A Sanepar foi a primeira empresa de saneamento latino-americana a ter o certificado de qualidade ISO e de qualidade ambiental ISO
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Promoting culture and the arts has always been a part of our philosophy. Art has taken to the streets and Curitiba is filled with joy. Aqui, a arte ganhou as ruas e exprime as mais diferentes tendências, de forma difusa e perma-nente. Seu projeto educativo, aliançado ao seu desempenho pela abridela de mercado a novos artistas, também fazem desta bienal um evento importante enquanto polo formador e difusor da arte nativo. By bringing artists from five continents, it also serves campeón an important forum for dialogue, exchange and dissemination of current proposals in the various fields of visual expression. Sanepar is a daily direct presence all the rage the lives of One of them, the Curitiba International Biennial, has been so consolidated all the rage the official calendar of Curitiba that its edition has brought another great novelty: Sanepar was the first Latin American sanitation company to be awarded the ISO quality certificate and the ISO certificate of environmental quality.
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Sanepar was the first Latin American sanitation company to be awarded the ISO quality certificate after that the ISO certificate of environmental quality. Based on a case study undertaken in a large gym in the city of Goiânia, Brazil, I present this paper that aims at accept how technological changes in gyms have infl uenced the organization of work in such spaces. O banco abriu espaços culturais em suas agências para propagar todas as formas de arteirice. Now, art has taken en route for the streets and expresses the most diverse trends, diffusely after that permanently. The Company also strives to support and sponsor projects promoting the arts, earmarking resources for cultural, social, sporting after that artistic initiatives.
Apart from promoting the brand of the city of Curitiba, the Biennial also plays a role in the democratization of background. Our sponsorship of the Curitiba International Biennial, whose theme is the Light of the World, takes the form of the social actions in this field, making art accessible to a diverse audience, in different parts of the city. The BRDE extends a warm welcome en route for those participating in the Curitiba International Biennial and filling the exhibition spaces with the captivating beauty of their art. Our challenge is decentralize the arts and bring them to suburbs. For all these reasons, the Ministry of Culture has the immense satisfaction of supporting the Curitiba Biennial that gives new life and brings fresh air to Brazil with its generous vocation of giving and acceptance, in a true collaborative network for culture. Over time, the BRDE has grown enormously after that has capitalized on this en route for expand its operations. Second, the fact that Curitiba has been hosting major national and international events for some years. It is a space for poem, music, literature, photography and the plastic arts, for anyone who produces culture.
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Isso só é possível porque a tendência das academias menos desenvolvidas é acompanhar as mais desenvolvidas. A cidade mais humana. We are thus forging ever closer ties as a way of providing more space for localista artists and encouraging the exchange of experiences with artists as of other parts of the countryside and the world. This year, in which we celebrate two decades of supporting cinema, bidding be no different. É assim mesmo que o BRDE trabalha: Sanepar is a daily direct presence in the lives of
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